Timo Andres, piano/composer

Photo Credit: Michael Wilson

Timo is a composer and pianist who grew up in rural Connecticut and lives in Brooklyn, NY.

Notable works include Everything Happens So Much for the Boston Symphony; Strong Language for the Takács Quartet, commissioned by Carnegie Hall and the Shriver Hall Concert Series; Steady Hand, a two-piano concerto commissioned by the Britten Sinfonia premiered at the Barbican by Andres and David Kaplan; and The Blind Banister, a concerto for Jonathan Biss, which was a 2016 Pulitzer Prize Finalist.

As a pianist, Timo has appeared with the LA Phil, North Carolina Symphony, the Albany Symphony, New World Symphony, and in many collaborations with Andrew Cyr and Metropolis Ensemble. He has performed solo recitals for Lincoln Center, Wigmore Hall, San Francisco Performances, the Phillips Collection, and (le) Poisson Rouge.

Collaborators include Becca Stevens, Jeffrey Kahane, Gabriel Kahane, Brad Mehldau, Nadia Sirota, the Kronos Quartet, John Adams, and Philip Glass, with whom he has performed the complete Glass Etudes around the world, and who selected Andres as the recipient of the City of Toronto Glenn Gould Protégé Prize. Timo also frequently works with Sufjan Stevens; his orchestral arrangements of Stevens’s ballet, Principia, were presented last season by the New York City Ballet, and his recording of Stevens’s solo piano album, The Decalogue, has received widespread acclaim.

A Nonesuch Records artist, Timo is featured as composer and pianist on the May 2020 release I Still Play, an album comprising a set of piano pieces written by himself and fellow Nonesuch artists for Chairman Emeritus Bob Hurwitz. A Yale School of Music graduate, he is a Yamaha/Bösendorfer Artist and is on the composition faculty at the Mannes School of Music at the New School.