Leonard Bernstein described Paul as “a first-class performer who combines spirituality with intellect”. A busy New York-based purveyor of violin and fiddle music, his broad stylistic compass includes the dance fiddle traditions of America and the British Isles, ragtime and jazz, and the music of Charles Ives. Paul has presented recitals at the 92nd St. Y, Wesleyan University, Caramoor, Miller Theater, Yale University, and the New York Festival of Song at Carnegie Hall, and has appeared as soloist at festivals from Bard College to Moab, Utah.  

A veteran of dozens of Broadway orchestras, Paul has recently completed runs as concertmaster of Oprah Winfrey’s The Color Purple and the revival of West Side Story. Previous shows include hits such as Ragtime, and the underappreciated masterwork Caroline, or Change

A three-time New England Fiddle Contest champion in his hometown, Hartford, CT, he is a widely respected exponent of the fiddle traditions of New England. In this vein, he performs across the US and abroad with the Scottish dance band Local Hero.  

Other engagements have included performances and recordings with Steve Reich, piano wizards Dick Hyman and Neely Bruce, Marin Alsop’s Concordia, Vince Giordano’s Nighthawks, American Composers Orchestra and the Grammy Awards Orchestra.  

Paul’s proudest achievements to date are his son Carter and daughter Tennessee. 

Austie is one of the most in-demand trumpet players in Utah, working as a freelance performer, studio musician, and educator throughout the state. He has toured as a lead trumpet player, soloist, and clinician on four continents, sharing stages with Journey, Train, Kelly Clarkson, Macey Grey, Collin Raye, and Leann Rimes; recorded with David Osmond, Joshua James, Dallon Weekes, and Neon Trees; been a featured performer at Preservation Hall and the Jazz National Historical Park in New Orleans; and is a first-call trumpet player for corporate entertainment and visiting acts throughout the Intermountain West. His music has been aired in television shows, feature films, documentaries, and radio programs throughout North America and Europe. 

Upcoming Performances:

Sept 2 – 100 Years of Ragtime

Tristan is a bassist and composer living in New York City whose work enlarges the minutiae of close tones and subtle gestures. As a bassist, he has been credited with providing his “low-end authority to vital New York institutions” (the New Yorker) like Carnegie Hall, Lincoln Center, and The Whitney Biennial, as well as LA’s Disney Hall and Hamburg’s state of the art Elbphilharmonie. He has been featured on Broadway in Gypsy (2025), Justin Peck’s Illinoise (2024) and Daniel Fish’s Oklahoma! (2019-2020), and on television in Netflix’s The Witcher, PBS’s Frontline and Amazon’s Mozart in the Jungle. 

As a composer Tristan has been praised for his “heavenly” (the Guardian) original compositions, showcased at Issue Project Room, The Stone, The Hudson Basilica and the Grey Sound series at the University of Chicago. Most recently he has been the recipient of the 2024 Copland Fund and is a 2025 NYSCA grantee. In 2026, he and composer Sarah Hennies will premiere a new collaborative electroacoustic work at the Groupe de Reserche Musicale (GRM) in Paris and serve as composers in residence at Rensselaer Polytechnic Institute. Their most recent album, The Quiet Sun, is out May 2nd on Dinzu Artefacts. 

Upcoming Performances

Aug 27 – Opening Night: Celebrating 33 Years of Moab Music Festival

Aug 29 – Next Week’s Trees

Aug 30 – Music Hike I: A Little Respite

Praised by The Strad magazine as having “lyricism that stood out…a silky tone and beautiful, supple lines,” Milena has established herself as one of the most sought-after violists of her generation. In addition to appearances as a soloist with the Tokyo Philharmonic, the Jacksonville Symphony, and the Sphinx Chamber Orchestra, she has performed in recitals and chamber-music concerts throughout the United States, Latin America, Europe and Asia.  

Milena was the founding violist of the Dover Quartet and played in the group from 2008-2022. During her tenure, the Dover Quartet was the First Prize-winner and recipient of every special award at the Banff International String Quartet Competition 2013 and winner of the Gold Medal and Grand Prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include First Prize of the Lionel Tertis International Viola Competition and top prizes at the Sphinx Competition and the Tokyo International Viola Competition. While in the Dover Quartet, Milena was on the faculty at The Curtis Institute of Music and Northwestern University’s Bienen School of Music and a part of the Quartet in Residence of the Kennedy Center in Washington, D.C. She is a member of the newly formed piano quartet “Espressivo!” along with acclaimed artists Jaime Laredo, Sharon Robinson, and Anna Polonsky. 

Upcoming Performances:

Sept 10 – Music Hike II: Free Voices of Eastern Europe

Sept 10 – The Four Seasons According to Glass & Piazzolla

Sept 11 – Grotto III: German Masterpieces

Chelsea is a Utah-based percussionist with a unique portfolio career as a freelance performer, arts administrator, and music educator.  

She is the Artistic Administrator of the Moab Music Festival and Percussionist/Director of Operations of Khemia Ensemble, a chamber group dedicated to contemporary classical music. Khemia has performed at nationally recognized venues and festivals such as National Sawdust, New Music Gathering, and the Mizzou International Composers Festival, presented educational residencies at more than a dozen universities in North and South America, and commissioned and premiered over 60 works by professional and student composers. Chelsea plays regularly with Ballet West, Utah Symphony, and steelworks steelband. Notable freelance appearances include the White Christmas National Tour, Live at the Eccles with Johnny Mathis, Right on Cue (Broadway tracks), Video Game Awards, Paducah Symphony, AEPEX Contemporary Performance, Rochester Symphony, New Britain Symphony, Nutmeg Symphony, and Adrian Symphony.  

Chelsea is an Instructor of Music at Utah Valley University and has maintained a private percussion studio since 2009. Her debut etude book, Level Up! 15 Sequential Duets for the Developing Snare Drummer, is published by Tapspace. She received her MM in Percussion Performance and Chamber Music from the University of Michigan, a BM in Percussion Performance and Music Education from the Hartt School, and a Certificate in Arts Management from the University of Massachusetts-Amherst. 

Upcoming Performances:

Aug 25 – American Minimalism: A Retrospective

Tired Hearts, the new album from rising indie-pop power trio, BAILEN, delivers a dazzling set of songs that navigates the space between the heart’s expectation and the head’s sober reality. New York based siblings, Daniel, David, and Julia’s second full-length album for Fantasy beats with empathy, vulnerability, and resolve.

At times intricate and playful, measured and elaborate, the 12 original songs on Tired Hearts wrestle with an uncertain future where ethics and morality—both communal and personal—seem to be constantly shifting. Locating one’s compass amidst the chaos—a world-wide pandemic, toxic social media culture, economic insecurity and political turbulence—is at the LP’s core.

Raised and rooted in New York City by classically trained musician parents and their wide-ranging, eclectic record collection, BAILEN has emerged as a favorite in indie circles by cultivating a passionate following via word of mouth, robust playlisting and a stream of steady touring and collaborating with artists such as Amos Lee, The Lone Bellow, Joseph, and Hozier to name a few.

On Tired Hearts, their exquisite and thought-provoking new album, BAILEN learns how to dream in the face of life’s uncertainty and in the process, moves forward aware, resilient, and hopeful. “This album is a breakthrough for us,” Daniel says. “It’s been a rocky road, but we’re really grateful that it’s led us here.”

Upcoming Performances:

Sep 1 – Red Cliffs II: BAILEN

Sep 2 – Rocky Mountain Power Community Concert

Heralded for her “superb vocal and dramatic chops” by Opera News, Amanda’s 2023/2024 season includes performances with the Chautauqua Opera – Festival Artist, Akron Symphony Orchestra, Opera Grand Rapids, Opera Philadelphia, The Industry LA, Buffalo Philharmonic and the world premiere of Richard Danielpour’s song cycle The Unhealed Wound alongside Eric Owens. Recently she debuted as Fatima in LA Opera’s premiere of Omar, IMG’s Our Song, Our Story recital series with Damien Sneed, Charlie Tyler (Finding Wright/Dayton Opera), Leocasta (Giustino/Long Beach Opera) and covered the titular role of Carmen at the Santa Fe Opera. Praised by the New York Times as “commanding with captivating texture”, in previous seasons, Amanda was a featured artist with the Philadelphia Orchestra, Lansing Symphony Orchestra, NHK Symphony Orchestra of Tokyo, Collaborative Arts Institute of Chicago and New York Festival of Song including the release of their studio recording of Paul Bowles’ A Picnic Cantata featuring Michael Barrett. Amanda is a recipient of awards from prestigious competitions including George London Foundation, Loren L. Zachary Society, Operalia, Gerda Lissner, Opera Index, and MONC Regionals. She is an alumna of the Cafritz Young Artist Program (WNO), Curtis Institute of Music, The Juilliard School (MM, Kovner Fellow) and SUNY Fredonia (BM). 

Upcoming Performances:

Sept 2 – 100 Years of Ragtime

Sept 3 – Water World: Rivers, Bridges, Droughts, and Floods

Sept 4 – Rocky Mountain Power Community Concert

Joe is a professional trombonist, composer and educator based out of Salt Lake City. He attained a bachelor’s degree in Trombone Performance and a Master’s Degree in Jazz Performance from the University of Utah. He has been involved historically with important musical projects such as the Salt Lake Alternative Jazz Orchestra (SLAJO) and John Henry. Joe’s current projects include Hot House West and a quartet he co-leads named “Subconscious 3”. He has shared the stage with a long list of masterful musicians throughout his career; most notably Wynton Marsalis, Roy Hargrove, Marshall Gilkes, Andy Martin, Herlin Riley, Charlie Hunter and Robert Walter. Joe is an active husband and father to three and enjoys art, sports and the outdoors.

Upcoming Performances:

Sept 2 – 100 Years of Ragtime

Shane has studied and performed around the globe, including in Brazil, China, Mexico, Trinidad/Tobago, Puerto Rico, West Africa, and across the United States. He serves as Director of Percussion/Assistant Professor of Music at Utah Valley University and Associate Editor of World Percussion for the Percussive Arts Society. Shane has performed on Broadway as drummer/percussionist for the musical 1776 at 54 Below. He was the drummer for the off-Broadway premiere of the Tony Award and Pulitzer Prize winning rock musical Next to Normal and the 2013 regional tour of Cabaret. He has performed with artists and groups such as Boyz II Men, Guster, Patti Austin, Eurovision winner Tajči, and the Hot Sardines. As a popular musician, Shane is a regular drummer for the Diamond Empire Band and the Hot House West Swing Orchestra. As a classical/chamber musician, he serves as percussionist and Director of Production for internationally performing chamber group Khemia Ensemble and regularly performs with the Utah Symphony and Utah Opera as well as Ballet West. Shane is a proud Yamaha Performing Artist and endorser of Innovative Percussion sticks and mallets, REMO drumheads, and Zildjian cymbals.

Upcoming Performances:

Sept 2 – 100 Years of Ragtime

Leelanee is Third Horn of the New York Philharmonic and joined the orchestra in 2013. She was previously a fellow of Ensemble Connect, Carnegie Hall’s collective of young professionals and music advocates. In recent seasons, Leelanee has made solo appearances at Carnegie Hall, several International Horn Symposia, and has presented recitals and masterclasses around the country. She has performed as guest principal horn with the London Symphony Orchestra, appears frequently at the Santa Fe Chamber Music Festival, and was a member of the 2022 National Brass Ensemble. An advocate for works by women composers, she can be heard on the world-premiere recording of Fernande Breihl-Decruck’s Poëme Héroïque for trumpet, horn, and orchestra.

Leelanee grew up in a musically enthusiastic and supportive family in northern Michigan and attended Interlochen Arts Academy. She received her bachelor’s degree from the University of Wisconsin–Madison and a master’s degree from the Yale School of Music. Her primary teachers include William Purvis, Douglas Hill, and Julie Schleif. Leelanee has spent summers at the Tanglewood Music Center, the Pacific and Sarasota music festivals, the National Orchestral Institute, and the Banff Centre for the Arts. She is a past prizewinner in the International Horn Competition of America and the Yamaha Young Performing Artists Program. She now serves on the horn faculties of New York University and Rutgers University. Among her proudest accomplishments is completing the New York City Marathon twice.

Upcoming Performances:

Sept 2 – Music Hike I: Winds in the Canyon

Sept 2 – 100 Years of Ragtime

Sept 4 – Rocky Mountain Power Community Concert

Sept 7 – Grotto II: Winds on the River