Andrew has performed recitals at Carnegie Hall, the New York Festival of Song (NYFOS), the Ravinia festival, The Cleveland Art Song Festival, Camerata Pacifica, Andre-Turp Society Montreal, Voce at Pace, Cincinnati Song Initiative, Tuesday Morning Music Club, The Phillips Collection, Vocal Arts DC, college campuses around North America, and venues in Italy, Croatia, Greece, and Turkey. 

Last season he released his tenth Album: El Rebelde: Gabriela Frank and Dmitri Shostakovich. Andrew has premiered works by Jake Heggie, William Bolcom, Stephen Paulus, Steven Mark Kohn, Lee Hoiby, Tom Cipullo, Thomas Pasatieri, and Gabriela Frank. 

He has performed in concert with the Boston POPS, Atlanta Symphony, Boston Baroque, Handel and Haydn, Washington Master Chorale at the Kennedy Center, and National Chorale at Lincoln Center and leading opera roles at Seattle Opera, New York City Opera, Opera Philadelphia, Cincinnati Opera, Minnesota Opera, and many others.  
 
Andrew is a mentor with Bel Canto Boot Camp, a coach with tonebase, and is on the faculty at CU Boulder. He bicycles year-round and for the past 31 years has ridden the Pan Mass Challenge. This is Andrew’s fourth appearance at the Moab Music Festival. 

Upcoming Performances:

Sep 2 – Rocky Mountain Power Community Concert

Sep 4 – House Benefit Concert: Bernstein, An Intimate Portrait

Sep 5 – Red Earth: Mid-Century Modern America

Yoshiko, a conceptual artist/choreographer/Artistic Director of The School of Hard Knocks, has been a firebrand of New York’s downtown dance scene since arriving in 1978. She has created more than sixty-five full-length company works, commissions, and site-specific events for venues in thirty-five countries, constantly challenging the notion of performance for both audience and participant. Her work has been presented in such diverse venues as Joyce Theater, the Eiffel Tower, Newcastle Swing Bridge, City Center, Lincoln Center, the former National Theater of Sarajevo, the perimeter of the Hong Kong harbor, World Financial Center, and an ancient ruin in Macedonia, among many others. Yoshiko has received fellowships and awards for choreography and career work from the Guggenheim, National Endowment for the Arts, New York Foundation for Artists, Japan Foundation, Meet the Composer Choreographer/Composer Commission, and Philip Morris New Works. She has led workshops and masterclasses and been commissioned to create new work in East and West Europe, Asia, Russia, and the U.S. She received her first BESSIE award for choreography in 1984, and earned four more for her productions in 1992 and 1998. In 2007 she received a BESSIE for Sustained Achievement. She was Artistic Director of the Daghdha Dance Company in Limerick, Ireland, from 2000 to 2003 and has been a guest teacher/choreographer in the M.A. program in dance of the Irish World Academy of Music and Dance. 

Upcoming Performances:

Sep 7 – Robert Black: A Joyful Musical Life from the Bass Line

Mark is a multi-instrumentalist, singer, song leader, composer and instrument designer heard around the world performing old and new music. Since 1998 he has recorded and toured as guitarist and Musical Director with Paul Simon.  A founding member of the Bang on a Can All-Stars & the Polygraph Lounge with keyboard & theremin wizard Rob Schwimmer, Mark has also worked with Steve Reich, Sting, Anthony Braxton, Bob Dylan, Wynton Marsalis, Meredith Monk, David Krakauer & Klezmer Madness, Stevie Wonder, Phillip Glass, Iva Bittova, Geoffrey Holder, Bruce Springsteen, Terry Riley, Ornette Coleman, Don Byron, Joan Baez, Hugh Masakela, Paul McCartney, Cecil Taylor, Ani DiFranco, Bill Frisell, Jimmy Cliff, the Everly Brothers, Steve Gadd, Fred Frith, Alison Krauss, Bobby McFerrin, David Byrne, James Taylor, The Roches, Aaron Neville, Bette Midler, and Marc Ribot. He is the inventor of the WhirlyCopter, a bicycle-powered Pythagorean choir of singing tubes and the Big Boing, a 24 ft. sonic banquet table Mbira that seats 30 children playing 490 found objects, and is a Visiting Lecturer in musical instrument design at MIT.  Mark is also a curator at MASS MoCA of the immersive Gunnar Schonbeck exhibit of musical instruments and co-founder, with his partner in sound and life Karen Curlee, of soundstewArt inc. a company that designs immersive sound environments & community music making experiences for all. 

Upcoming Performances:

Sep 7 – Robert Black: A Joyful Musical Life from the Bass Line

Ariadne, praised for her “luminous, expressive voice,” “searing top notes,” and “dusky depths,” (NYTimes), enjoyed a casual child career as a “boy” soprano at the LA Opera, eventually making an adult debut singing Lutoslawski’s Chantefleurs et Chantefables with the American Symphony Orchestra. She starred in operas ranging from Donizetti’s Elixir of Love with The Orlando Philharmonic, to Poulenc’s Les Mamelles de Tirésias at the Aldeburgh Festival, and Atthis, by G.F. Haas, which the NY Times called “one of the most searingly painful and revealing operatic performances in recent times.”  

Recent projects included performances with William Kentridge in the Oslo Opera House, The Luxembourg Philharmonic, Berkeley Cal Performances, and Performa in New York of the Dada masterpiece Ursonate, collaborations with The Knights, two projects of her own called Bird Party and Eleven Wild Geese commissioned by The Ultima Festival in Norway, a film of Table Manners, by Sheree Clement, and a film of We Need To Talk, a new monodrama by Caroline Shaw and Anne Carson for Opera Philadelphia. Highlights this season include Alyssa Weinberg’s monodrama Isola with Long Beach Opera, Miss Adelaide in Guys and Dolls with Opera Saratoga, Ten Transcendental Etudes, by Nick Brooke, at Mass MoCA, and The Fall of Rome with AMOC. Ariadne has premiered upwards of twenty new operas and more than a hundred new chamber works. 

Upcoming Performances:

Aug 31 – Red Cliffs I: Colorado Currents

Sep 1 – Music Hike II: Just Breath(e)

Sep 2 – Rocky Mountain Power Community Concert

Praised for his versatility and soulful expressive style, Serafim actively performs on both modern and baroque cellos. He has toured four continents as a soloist and chamber musician, appearing with Jupiter Chamber Players, Trinity Baroque, EXO, Sebastians, El Mundo, Frisson and Argento among others. He has performed as principal cellist with the Juilliard Orchestra, Pegasus, Experiential Orchestra and the Kansas City Philharmonic. Between 2014 and 2021, while a member of the Tesla Quartet, he appeared on some of the world’s most prestigious stages, including Wigmore Hall, the Esterhazy Palace and the Mecklenburg-Vorprommern Festival, during which the Quartet released two award-winning albums.  

A passionate advocate of new music, Serafim has given numerous world premiere performances guided by composers such as Arvo Pärt, Chaya Czernowin, Georg Friedrich Haas, Mathias Pintscher, Magnus Lindberg, and many others. His love of early music and fascination with historical performance practice led him to study baroque cello with Phoebe Carrai at the Juilliard Historical Performance Department and to perform alongside Robert Mealy, Monica Huggett, William Christie, Nicholas McGegan.  

 Serafim also composes electronic music as Faremis Sound and produces audiobooks with his wife, Sierra Prasada, as HiSierrafim Audio. 

Upcoming Performances:

Aug 28 – A Movable, Musical Feast

Aug 31 – Red Cliffs I: Colorado Currents

Sep 1 – Red Cliffs II: BAILEN

Sep 5 – Red Earth: Mid-Century Modern America

Sep 7 – Music Hike III: Unusual Quartets–Sacred and Profrane

Nathan is a bassist, singer, teacher, composer, and artistic producer living in Los Angeles.  
  
A graduate of the Curtis institute of Music, Nathan studied with Edgar Meyer and Hal Robinson. He has played in the bass sections of many of the world’s finest orchestras: Philadelphia, New York, Chicago, Los Angeles, San Francisco, Cincinnati, and Baltimore, and has also developed a unique solo voice on an instrument that doesn’t often stand alone.  
 
Nathan has written and performed music for TV and film, most recently scoring a documentary that was executive produced by Martin Scorsese. He’s developed creative productions for the Louisville Orchestra, the LA Philharmonic, and the University of Southern California that combine music, actors, dancers and film.  
 
Nathan also loves to sing. He made his operatic debut as tenor soloist in the Beethoven Choral Fantasy at the Marlboro Music Festival, and regularly appears with his trusty guitar in chamber music festivals across the country.

Upcoming Performances:

Sep 7 – Music Hike III: Unusual Quartets–Sacred and Profane

Sep 10 – Ranch Benefit Concert: Stradgrass

Connor is a Navajo pianist and composer known for combining his classical piano training with his Native American heritage. He made his Carnegie Hall debut at the age of 12 after winning a gold medal in the World Piano Competition. A graduate of the Eastman School of Music and the University of Cincinnati’s College-Conservatory of Music, Connor’s solo piano music is inspired by traditional Navajo chants and songs. 

He has released 5 studio albums of original pieces and piano transcriptions of Navajo music. The Navajo Piano won Best Instrumental Recording at the 16th Annual Native American Music Awards, and his piece “Beginnings” won Best New Age Song. The Navajo Piano (Revisited), features new recordings of his original 15 compositions from 2014, as well as recordings of the traditional songs they were based on. Connor’s 2020 release, Scenes from Dinétah, features piano pieces written about elements of Navajo life and culture. It was accompanied by the release of several music videos filmed on the reservation, directed by Navajo filmmaker Michael Etcitty Jr., Connor’s most recent release, Across the Desert: The Long Walk Home, stands as a musical tribute to the Navajo people’s journey through adversity and the triumphant return to their cherished ancestral lands. 

Upcoming Performances:

Aug 31 – Red Cliffs I: Colorado Currents

Sep 2 – Rocky Mountain Power Community Concert

Geneva is a New Zealand-born American violinist lauded for “remarkable mastery of her instrument” (CVNC) and hailed as “clearly one to watch” (Musical America). She has forged a reputation as a musician of consummate artistry whose performances speak from and to the heart. Named a BBC New Generation Artist (2022-24), Geneva is also the recipient of a 2022 Borletti-Buitoni Trust Award and a 2021 Avery Fisher Career Grant. She was also Grand Prize winner of the 2020 Concert Artists Guild Competition, winner of the Kronberg Academy’s Prince of Hesse Prize (2021), Musical America’s New Artist of the Month (June 2021), a Performance Today Young Artist in Residence and a YCAT Concordia Artist. In August 2023, Geneva made her BBC Proms debut with the BBC National Orchestra of Wales and Jaime Martin; the 2023-24 season includes further performances with the BBC National Orchestra of Wales and debuts with the BBC Symphony Orchestra, the BBC Scottish Symphony Orchestra, the Orchestre National de Bordeaux Aquitaine, Kremerata Baltica (alongside Gidon Kremer in Schnittke’s Concerto Grosso No.1), as well as the San Diego Symphony, Santa Rosa Symphony and Orquesta Filarmónica de Jalisco. 

Upcoming Performances:

Aug 28 – A Movable, Musical Feast

Aug 31 – Music Hike I: Mozart in the Morning

Sept 5 – Red Earth: Mid-Century Modern America

Sep 6 – Grotto II: J.S. Bach and Sons

Sep 7 – Robert Black: A Joyful Musical Life from the Bass Line

Sep 11 – Grotto III: Vienna at the Turn of the Centuries

Winner of the 2018 Pro Musicis International Award, Catherine is an Australian flutist who has performed as recitalist and chamber musician at Carnegie Hall, Caramoor, the Chamber Music Societies of Philadelphia and Lincoln Center, Camerata Pacifica, the Við Djúpið Festival in Iceland and with the Southern Cross Soloists. She has toured internationally with the Orpheus and Australian Chamber Orchestras and been a frequent guest principal flute with the Malaysian Philharmonic Orchestra. Catherine’s Just Breathe project is a performance featuring new commissions from leading composers such as Clarice Assad, Viet Cuong, and Juhi Bansal, as well as a series of interactive performance workshops for cancer patients that explore the intersection of breath and music. Catherine is a Core-Artist of Decoda, the affiliate ensemble of Carnegie Hall and previously served as co-artistic director from 2017-2020. Committed to nurturing the next generation of young artists, Catherine currently serves on the faculties of The Colburn School and the UCLA Herb Alpert School of Music and is the newly appointed Director of the UCLA Gluck Fellowship program. First coming to the US as a Fulbright Scholar, she has given masterclasses and residencies at leading music schools internationally, from The Tianjin Juilliard School, to Curtis, to the Guildhall School in London. Catherine’s recent album together with pianist David Kaplan, entitled Vent, was released on the Bright Shiny Things label in September 2023. www.catherinegregory.com 

Upcoming Performances:

Aug 31 – Red Cliffs I: Colorado Currents

Sep 1 – Music Hike II: Just Breath(e)

Sep 2 – Rocky Mountain Power Community Concert

Zach is a musician based in Middletown, Connecticut. His work is focused in the areas of drone, repetitive structures and noise. Collaborators and projects include Tongue Depressor, Hyperion Ensemble under the direction of Iancu Dumitrescu, Red Yellow Blue Green Black, Leila Bordreuil, Aki Onda, Arien Wilkerson, and Paul Flaherty. 

Upcoming Performances:

Aug 31 – Red Cliffs I: Colorado Currents

Sep 7 – Robert Black: A Joyful Musical Life from the Bass Line