People of Earth (PoE) is a global music collective that has emerged as one of the United States’ most exciting Latin and tropical bands. With an electrifying blend of music from Cuba, Puerto Rico, Brazil, and beyond, PoE delivers a high-energy experience that transcends borders. This supergroup features a dynamic lineup of world-class musicians hailing from all over the world creating a sound that is as diverse as it is powerful. 

Since its formation in 2017, PoE has graced prestigious stages such as Carnegie Hall in New York, Disney Hall in Los Angeles, The Kennedy Center in Washington, D.C., The Kimmel Center and Mann Center in Philadelphia, and the New World Center in Miami. 

PoE’s signature setup includes a frontline of powerhouse vocalists, supported by horns, percussionists,  keyboards, and electric bass. Their original music is a vibrant fusion of Cuban timba and rumba, Puerto Rican bomba and plena, Haitian kompa, Brazilian MPB, and American soul, R&B, and hip-hop. With songs performed in Spanish, English, Portuguese, and Kreyol, the band’s sound reflects a truly global ethos. 

In 2019, PoE collaborated with Musical America’s Conductor of the Year, Teddy Abrams, and received a grant from New Music USA to commission MacArthur Fellow Dafnis Prieto. The result was Tentación, a groundbreaking concerto for PoE and string orchestra. Premiered in 2022 under Abrams’ baton, the piece was performed with the Los Angeles Philharmonic, Louisville Orchestra, New World Symphony, and Britt Festival Orchestra. 

The band’s self-titled debut album, released on Truth Revolution Records (2023), showcases their artistry with nine tracks, including seven original compositions and reimagined covers of Djavan’s Te Devoro and Leonard Bernstein’s Mambo and a guest appearance by acclaimed Brazilian singer Marcos Costa. 

Beyond its thrilling performances, People of Earth is deeply committed to education and music as a vehicle for social change.  

Upcoming Performances:

Aug 31 – People of Earth: A Global Music Collective

Sep 1 – Rocky Mountain Power Community Concert

Described as “immaculate, at once refined and impassioned,” (ArtsAtlanta) Blake (pool-YACHT) has anchored himself among the ranks of classical phenoms. A tenacious young artist with a passion that enraptures his audience in every performance, he has established himself as “one of those special talents that comes along once in a lifetime” (Toronto Star).  

Blake’s 2024-2025 symphonic highlights include debuts with the LA and Rhode Island Philharmonics and the San Diego, Houston Grand Rapids, and San Antonio Symphonies. Blake expands his presence in Europe with performances with the London Philharmonic and conductor Alevtina Ioffe, Chamber Orchestra of Europe with conductor Mattias Pintscher and cellist Alisa Weilerstein, KYMI Sinfonietta, and Orchestre National des Pays de la Loire. Recital performances include debuts at Carnegie Hall and La Jolla Music Society with pianist Henry Kremer. As a chamber musician, Blake will return to Seattle Chamber Music Society, Austin Chamber Music Festival, Charlottesville Chamber Music Festival, and with violinist Simone Porter and pianist Hsin-I Huang at the Van Cliburn Concerts in Fort Worth, TX, and BroadStage in Santa Monica, CA. 

Since his orchestral debut at age 11, Blake has performed across North America and Europe and has collaborated with musical luminaries including conductors Sir Neville Marriner, David Afkham, Pablo Heras-Casado, David Danzmayr, JoAnn Falletta, Marcelo Lehninger, Nicholas McGegan, Alexander Prior, Vasily Petrenko and Thomas Søndergård. He released his debut album on Analekta Records in 2019 and received critical acclaim including a five-star rating from BBC Music Magazine and a 2019 Juno Award nomination for Best Classical Album. Blake performs on the 1729 Guarneri del Gesù on generous loan from an anonymous donor. blakepouliot.com 

Upcoming Performances:

Aug 29 – Next Week’s Trees, Easy Bee Farm

Aug 30 – Music Hike I: A Little Respite

Aug 30 – Lau Noah

Aug 31 – Music Hike II: Catharsis Canyon

Sep 4 – Grotto II: Classics Reimagined

Joshua is a cello soloist and composer, hailed for his “effortlessly expressive tone… and playful zest for exploration” (The New York Times), as well as his “extraordinary technical and musical gifts” and “blend of precision and almost improvisatory freedom… that goes straight to the heart” (The San Francisco Chronicle). His genre-bending programs and wide-ranging collaborations have grown out of an “enthusiasm for musical evolution that is as contagious as his love for the classics” (The Seattle Times).   

 Joshua’s 2024-25 season opens with the launch of his ambitious and deeply personal project Immunity, an intimate musical exploration of his life-altering experience of ongoing Long COVID, with music ranging from J.S. Bach to George Crumb to Caroline Shaw, as well as Roman’s own compositions. A recording of the full program will be released October 4 on Bright Shiny Things, coinciding with a tour where Joshua will perform music from Immunity in Long COVID clinics across the U.S., including New York City, Philadelphia, Seattle, Portland, Kansas City, St. Louis, and more. By sharing music and community with other Long COVID patients, Joshua aims to raise awareness of the condition and communicate the project’s core message of finding strength in vulnerability.  

 Additional 2024-25 highlights include a national Trio tour with violinist Tessa Lark and double bassist Edgar Meyer, the world premiere of a new Cello Concerto composed by James Lee III with the Baltimore Symphony Orchestra, two Well-Being concerts with Carnegie Hall, a residency at Stanford University that will center around Immunity, concerto performances with the Pacific Symphony, Louisiana Philharmonic Orchestra, and Asheville Symphony, and solo recitals around the country. 

Upcoming Performances:

Sep 5 – Ranch Benefit Concert: Edgar Meyer—Then & Now

Sep 7 – The Promise of Peace

“One of the most admired pianists of his generation” (New York Times), Inon has received universal acclaim for his “uncommon sensitivity” (The New Yorker), “impeccable musicality and phrasing” (Le Figaro), and his stature as “a true poet of the keyboard: refined, searching, unfailingly communicative” (The Evening Standard). A multifaceted musician, Inon is equally celebrated as soloist, curator, and collaborator.  

 As a soloist, Inon has performed with the world’s foremost orchestras and conductors including the New York, Los Angeles, London, Helsinki, Hong Kong, and Royal Stockholm Philharmonics, the BBC, Chicago, Cleveland, and Boston Symphonies, Leipzig Gewandhaus Orchestra, and the Tokyo Metropolitan Orchestra Symphony.  

 Inon’s 2024-25 season highlights include performances with the Naples Philharmonic and the San Diego, New Jersey, Pasadena, Boston, Tokyo, Israel, and Atlanta Symphonies. He continues his collaboration with cellist Alisa Weilerstein, with performances at Stanford Live and Celebrity Series of Boston and alongside James Ehnes at Wigmore Hall. Inon and Alisa released their highly anticipated album of Brahms’ Cello Sonatas, released by Pentatone in November 2024. 

Equally at home as a curator and chamber musician, Inon is Music Director of La Jolla Music Society Summerfest. He regularly collaborates with world-class partners such as Renée Fleming and Alisa Weilerstein and plays at major chamber music festivals including Seattle, Santa Fe, and Spoleto USA. Inon was a member of the Chamber Music Society of Lincoln Center’s Bowers Program from 2006 to 2009 and continues to perform with CMS in New York and on tour. inonbarnatan.com

Upcoming Performances:

Sep 8 – House Benefit Concert: An Intimate Evening with Inon Barnatan & Frank Vignola

Sep 9 – Grotto III: Manouche!

Called “alluring” and “wildly inventive” by The New York Times, Viet’s music has been performed on six continents by musicians and ensembles such as the New York Philharmonic, Eighth Blackbird, Saint Paul Chamber Orchestra, Sō Percussion, Alarm Will Sound, Atlanta Symphony, Sandbox Percussion, Albany Symphony, PRISM Quartet, and Dallas Winds, among many others. Viet’s music has been featured in venues such as Carnegie Hall, Lincoln Center, and the Kennedy Center, and his works for wind ensemble have amassed several hundreds of performances worldwide. Passionate about bringing these different facets of the contemporary music community together, his recent projects include a concerto for Eighth Blackbird with the United States Navy Band. Viet also enjoys exploring the unexpected and whimsical, and he is often drawn to projects where he can make peculiar combinations and sounds feel enchanting or oddly satisfying. His works thus include a snare drum solo, percussion quartet concerto, and double oboe concerto. He is currently the Pacific Symphony’s Composer-in-Residence and serves as Assistant Professor of Music Composition at The University of Nevada, Las Vegas. Cuong holds degrees from Princeton University (MFA/PhD), the Curtis Institute of Music (AD), and Peabody Conservatory (BM/MM).  

Upcoming Performances:

Sep 7 – The Promise of Peace

Ahmed is a pianist, composer, and conductor whose artistry bridges classical and popular traditions, earning him recognition as “one of the most versatile artists in the Western Hemisphere” (Diario de Mallorca). His unique voice blends the rigor and structure of classical training with the rhythmic and harmonic richness of his Cuban heritage, forging connections between the past and the music of today.  
 
Ahmed’s compositions have been performed by world-renowned musicians, including Yuja Wang with the New York Philharmonic. As a soloist, he has appeared with the Baltimore Symphony Orchestra, Indianapolis Symphony Orchestra, Louisville Orchestra, New World Symphony, Orquesta Filarmónica de México, and Britt Festival Orchestra. He is also the youngest Artistic Director of the Washington Square Music Festival. 
 
Deeply engaged in collaboration, Ahmed works across genres with leading artists such as Michael League, Antonio Sánchez, Teddy Abrams, Steve Hackman, Miguel Zenón, Mark Dover, Brandon Ridenour and Pedrito Martinez. His debut album, Exilio (2023) included the first complete recording of Luis A. Calvo’s Four Intermezzos. His chamber trio, Triple Cortado—with Caleb Hudson and Achilles Liarmakopoulosblends classical virtuosity with new contemporary works, while his duo CrossCurrents with Pedrito Martinez navigates the intersection of Afro-Cuban music and European classical traditions. 
 
A sought-after educator, Ahmed has given masterclasses at Berklee College of Music, the San Francisco Conservatory, Dartmouth College, Peabody Institute, and the National Jazz Museum in Harlem. His passion for new music has led to collaborations with Steve Hackman, the Pedro Giraudo Tango Quartet, and Ballet Hispánico’s Doña Perón. 

Upcoming Performances:

Aug 30 – Lau Noah

Aug 31 – People of Earth: A Global Music Collective

Sep 1 – Rocky Mountain Power Community Concert

Sep 4 – Grotto II: Classics Reimagined

Sep 7 – The Promise of Peace

WindSync: Garrett Hudson, flute; Noah Kay, oboe; Graeme Steele Johnson, clarinet; Kara LaMoure, bassoon; Anni Hochhalter, horn 

Versatile and vibrant, the musicians of WindSync “play many idioms authoritatively, elegantly, with adroit technique, and with great fun” (All About the Arts), showing off the uniquely wide-ranging sounds of the wind quintet. WindSync’s charismatic and personal performance style, combined with a three-pronged mission of artistry, education, and community-building, lends the group its reputation as “virtuosos who are also wonderful people, too” (Alison Young, Classical MPR). 
 
WindSync has enjoyed an international touring career since winning the 2012 Concert Artists Guild Victor Elmaleh Competition and the 2016 Fischoff National Chamber Music Competition. The group has appeared throughout the United States and abroad, including Weill Recital Hall, the Library of Congress, Ravinia, Metropolitan Museum of Art, Phoenix Chamber Music Society, Rockport Music, and Emerald City Music. WindSync’s recent premieres include works by Viet Cuong, Marc Mellits, Ivan Trevino, Mason Bynes, Nathalie Joachim, and Pulitzer finalist Michael Gilbertson.  

WindSync has also served residencies with the Grand Teton Music Festival, Orcas Island Chamber Music Festival, and the Lied Center. Winner of the 2022 Fischoff Ann Divine Educator Award, the ensemble regularly coaches at training programs nationwide, collaborates with youth orchestras, and performs for thousands of young people each year. 
 
On the heels of “All Worlds, All Times,” WindSync’s 2022 release that “will make you want to get up and dance” (The Whole Note), the quintet’s second commercial album, recorded with composer Miguel del Aguila at Abbey Road Studios, debuted at No. 1 on the Billboard Traditional Classical Albums chart in 2024. 

Upcoming Performances:

Aug 28 – Grotto I: Colorado River Winds

Aug 29 – Floating Concert I: WindSync

Aug 29 – Next Week’s Trees

Sierra is a virtuoso mandolinist, a two-time Grammy-nominated artist, and a groundbreaking songwriter. Recognized for her acclaimed albums 25 Trips (2020) and Weighted Mines (2016), she’s also a six-time IBMA Mandolin Player of the Year—the first woman to ever receive this honor. A pioneer in acoustic music, Sierra has performed on iconic stages like Carnegie Hall, the Grand Ole Opry, and the White House. Her artistry has earned praise and collaboration with legends like Alison Krauss, Béla Fleck, Dolly Parton, Brandi Carlile, and Bill Strings. Hailing from Byrdstown, Tennessee, Sierra’s innovative sound is deeply rooted in bluegrass yet continually pushes boundaries.  

Upcoming Performances:

Sep 6 – Sierra Hull

Michael is a drummer, educator and recording artist based in Brooklyn, New York who has worked with such artists as Wayne Krantz, Joshua Redman, Jason Moran, Tim Lefebvre, James Genus, Sara Caswell, Cyrus Chestnut, Bob Sheppard, Gregory Tardy, Gregg Belisle-Chi, Bob Lanzetti and many others. He is also a founding member of soul-rock band Caitlin Krisko & The Broadcast, which has been recording and touring extensively across the US and Europe since 2010. He has earned degrees from Manhattan School of Music and City College of New York, where he studied under John Riley, Nasheet Waits, Justin DiCioccio and Dan Weiss. As an educator, he has served as adjunct professor at City College of New York, and visiting instructor at various colleges across the country, including University of South Florida, University of North Carolina Asheville and University of Minnesota Morris. 

Nick is a four-time Grammy Award winning cellist and one of the most innovative musicians of our time, collaborating with artists including Björk, Wilco, Bryce Dessner, Dawn Upshaw, Philip Glass, and the Bang on a Can All-Stars in tours throughout the world. Currently Professor of Chamber Music and Eminent Scholar at the University of Cincinnati College-Conservatory of Music, he has previously served as faculty at the Longy School of Music, the University of Michigan, and Northwestern University. Nick served for 24 years as the founding cellist and Artistic Director of Eighth Blackbird. For more information, go to nickphotinos.com.