Timo is a composer and pianist who grew up in rural Connecticut and lives in Brooklyn, NY.

Notable works include Everything Happens So Much for the Boston Symphony; Strong Language for the Takács Quartet, commissioned by Carnegie Hall and the Shriver Hall Concert Series; Steady Hand, a two-piano concerto commissioned by the Britten Sinfonia premiered at the Barbican by Andres and David Kaplan; and The Blind Banister, a concerto for Jonathan Biss, which was a 2016 Pulitzer Prize Finalist.

As a pianist, Timo has appeared with the LA Phil, North Carolina Symphony, the Albany Symphony, New World Symphony, and in many collaborations with Andrew Cyr and Metropolis Ensemble. He has performed solo recitals for Lincoln Center, Wigmore Hall, San Francisco Performances, the Phillips Collection, and (le) Poisson Rouge.

Collaborators include Becca Stevens, Jeffrey Kahane, Gabriel Kahane, Brad Mehldau, Nadia Sirota, the Kronos Quartet, John Adams, and Philip Glass, with whom he has performed the complete Glass Etudes around the world, and who selected Andres as the recipient of the City of Toronto Glenn Gould Protégé Prize. Timo also frequently works with Sufjan Stevens; his orchestral arrangements of Stevens’s ballet, Principia, were presented last season by the New York City Ballet, and his recording of Stevens’s solo piano album, The Decalogue, has received widespread acclaim.

A Nonesuch Records artist, Timo is featured as composer and pianist on the May 2020 release I Still Play, an album comprising a set of piano pieces written by himself and fellow Nonesuch artists for Chairman Emeritus Bob Hurwitz. A Yale School of Music graduate, he is a Yamaha/Bösendorfer Artist and is on the composition faculty at the Mannes School of Music at the New School.

Upcoming Performances:

Aug 24 – New Music at Red Earth

Aug 25 – American Minimalism: A Retrospective

Miclen is quickly gaining recognition as one of the most captivating and versatile violinists of his generation, celebrated for his dynamic leadership and work as a soloist, chamber musician, and concertmaster. Praised by The New York Times as “a force to be reckoned with” and described by Germany’s Die Welt as “a musician of daring virtuosity with noble elegance,” he has performed at leading venues worldwide, including Carnegie Hall, Vienna Musikverein, Hamburg Elbphilharmonie, Wigmore Hall, Royal Albert Hall, and Berlin Philharmonie. 

 Miclen’s recordings with labels such as Sony RCA Red Seal and Naxos have been critically acclaimed. His arrangement of Beethoven’s Kreutzer Sonata for violin and strings notably reached No. 1 on Apple Music Classical charts in over 40 countries. Recently signing with Delos, Miclen’s debut solo album is set for release in early 2026. 

 A passionate chamber musician, Miclen regularly collaborates with renowned international artists at festivals throughout North America, Europe, Asia, and Africa. He is the violinist of the internationally acclaimed Trio Zadig, Founder and Artistic Director of the innovative Paris-based chamber music initiative M Sphère, Founder and Director of Miesbach Kammermusikfestival, and director of multiple other international festivals and concert series in Spain, Germany, France, and the UK. 

 Based in Paris, Miclen performs on the 1707 Stradivari ‘Charles Castleman, ex-Marquis de Champeaux, generously loaned by the Queen Elisabeth Music Chapel, and a c.1850 Dominique Peccatte bow known as the ‘ex-Eugène Ysaÿe. 

Upcoming Performances:

Aug 27 – Opening Night: Celebrating 33 Years of Moab Music Festival

Aug 29 – Next Week’s Trees

Aug 30 – Music Hike I: A Little Respite

Aug 31 – Music Hike II: Catharsis Canyon

Aug 31 – People of Earth: Latin Fusion Collective

Deanna is an American soprano lauded by The New York Times for her “sweet sound and floating high notes,” and for being a “vocal trapeze artist,” continues to enjoy a dynamic and diverse career. 

This season, she will perform Lisette in La Rondine at Opéra de Monte Carlo, Adele in Die Fledermaus at Opera Theatre of St. Louis, and join the Utah Symphony for Mozart’s Requiem, Oregon Symphony for Mendelssohn’s Lobgesang, and the Allentown Symphony for Vaughan-Williams’ Dona Nobis Pacem. She will also give recitals with Florentine Opera and the Pacific Vocal Series. 

Recently, Deanna returned to The Dallas Opera for the world premiere of The Diving Bell and the Butterfly. She performed in Dialogues of the Carmelites with San Francisco Opera, Die Fledermaus with Bayerische Staatsoper, L’incoronazione di Poppea with Gran Teatre del Liceu, Candide with The Atlanta Opera, and numerous roles with the Metropolitan Opera and Opernhaus Zürich. 

 She has sung concerts with the Los Angeles Philharmonic, Nuremberg Symphony Orchestra, Seattle Symphony, Detroit Symphony, San Antonio Symphony, and the Moab Music Festival.  

 Deanna is a native of Seattle and a new resident of Salt Lake City after meeting the love of her life backstage at the Moab Music Festival in 2023! 

Upcoming Performances:

Dec 6 – Holiday Concert

Dec 7 – Family Holiday Concert 

Winterlude Teaching Artist

Steve has been an active performing cellist and private cello teacher in Durango Colorado since 2011. Steve has taught with Be Frank, Beacon String Program, Kaizen’s Music, Stillwater Music, in addition to public school programs. The Four Corners area has offered unique opportunities including performances with the Colorado College Summer Music Festival, Durango Bach Festival, Durango Choral Society, San Juan Symphony, Telluride Chamber Music, Wasserman Music Festival, Nova Duo, and various chamber groups.

While attending Chicago Musical College, Steve’s primary cello teacher and musical influence was George Kim Scholes. During this time, he played with the Classical Symphony Orchestra and maintained a studio of private students. An orchestra musician since childhood, Steve has been fortunate to play in the Barbican Center, Carnegie Hall, the Lincoln Center, Madison Square Garden, & the Royal Albert Hall.

Outside of music Steve can be found enjoying many of the outdoor activities Colorado has to offer.

Steven White, cello

Winterlude Cello Teaching Artist Steve has been an active performing cellist and private cello teacher in Durango Colorado since 2011. Steve has taught with Be Frank, Beacon String Program, Kaizen’s Music, Stillwater Music, in addition to public school programs. The Four Corners area has offered unique opportunities including performances with the Colorado College Summer Music […]

Based in New York City, Marty Kenney is among his generation’s most versatile and in-demand upright and electric bassists. Originally born and raised in Palmer, Alaska, Marty received his bachelor’s degree at the University of Northern Colorado. He relocated to New York City in 2012, where he completed his Master’s degree at the Manhattan School of Music, studying under bassist Jay Anderson. Marty has performed with musicians such as Art Lande, Billy Drummond, Rich Perry, Steve Slagle, Allan Harris, Rez Abbasi, Steve Wilson, Brian Krock’s Big Heart Machine, David Berkman, and the New York Standards Quartet featuring Tim Armacost and Gene Jackson. He has appeared on recordings by Steve Slagle, Allan Harris, Brian Krock’s liddle featuring Matt Mitchell, Olli Hirvonen featuring Water Smith III, and toured throughout the United States and Europe with Allan Harris, liddle, and New Helsinki, including performances at the Montreux Jazz Festival, Pori Jazz Festival, the Mosaic Festival in Romania, Umbria Winter Jazz Festival, Porretta Soul Festival, and many notable venues around the world including the Bimhuis, Shinjuku Pit Inn, Jazzclub Unterfahrt, Smalls Jazz Club, Mezzrow, Dazzle Jazz Club, Birdland, Red Rocks Amphitheater, and Blue Note NYC.

Called “fluid, melodic” by the Chicago Reader, Kevin is a Brooklyn-based keyboardist, producer, songwriter, and multi-instrumentalist. He has lent his keyboard skills to a variety of singers, bands, producers, and comedians across many different genres and performed at venues such as Irving Plaza, Bowery Ballroom, the Bell House, and Brooklyn Bowl. He currently freelances as a keyboardist, but plays regularly in the Alison Shearer Band, Slow Riches, Big Stuff, as well as his own solo project, K-Magic. 

Kevin has performed and recorded with artists including Kirby, Zusha, Amaria, Maria Lynn, Jen Sanchez, Jonah Mutono, Akinyemi, Brasstracks, Rothstein, Redveil, Too Many Zooz, among others. Kevin has also shared the stage with comedians John Hodgeman, Jean Grae, Janeane Garofalo, Krystyna Hutchinson, Patrick Stewart, and Michael Che.

Hailing from Ventura, California, Kevin grew up in a musical family. In 2010, he moved to NYC to study jazz at the Manhattan School of Music. Since graduating, under the name K-Magic, Kevin has performed and released his EP “Sauce Factory” in 2019 as well as three new singles in 2021.

Drawing inspiration from across generations, drummer Horace Phillips blurs the line between jazz musician, indie artist and record producer.

Affiliated with a diverse roster of NYC-based artists and bands, he has performed at Carnegie Hall, Brooklyn Steel, Highline Ballroom, Rough Trade NYC, National Sawdust and Music Hall of Williamsburg. He has toured nationally with Zusha and with Andy Suzuki & the Method, including an early 2020 run as support for Allen Stone.

A regular in the studio, Horace has garnered extensive credits as a session musician and producer. Releases include Alison Shearer’s View From Above (JazzTimes 2022 Critic’s Pick), Zusha’s When the Sea Split (#1 iTunes World Music at debut), and albums by Solapur Road, Pear Moth, Star the Moonlight, The Phryg and Goodie, among others.

In June 2020 he released his debut single, Like You Never Do, showcasing his multi-instrumental ability and minimalist approach to production. A second solo release, Favorite, premiered in December 2022.

A former student of Adam Cruz, Vince Ector, John Riley and Kendrick Scott, Horace holds degrees from Princeton University and Manhattan School of Music.

Winterlude Teaching Artist

Angelica Salazar is an accomplished violinist, violist, and teacher based in Utah Valley. She is a brain surgery survivor and is grateful to be able to play the violin and viola today. Angelica studied with Dr. Donna Fairbanks and holds a BM in Violin Performance, Magna Cum Laude from Utah Valley University. She has performed solo and chamber music in many venues across the state of Utah, and has been a finalist and winner in several prestigious state, national, and international music competitions.

Angelica runs a successful private teaching studio and coaches the Utah Valley Youth Symphony Orchestra. She has experience teaching and adjudicating for music festivals like the Utah Mountain Springs Music Festival and various performing arts competitions. Angelica has also served as Miss Orem 2018, Miss Utah County 2019, Utah Valley University Orchestra President and currently serves as Co-Director of the Miss Utah County Scholarship Competition. She has actively planned, hosted, and performed in many large-scale musical benefit concerts and has helped to raise tens of thousands of dollars for communities and individuals in need. Angelica is passionate about using her love for music to better the lives of others.

“Wielding a skill set beyond her years, Alison Shearer is a force on the rise.” – Jazz Times 

Alison is a saxophonist and composer with tremendous style and intuition whose talents have brought her around the world. Alison has appeared with Kurt Elling, Nate Smith, Charlie Hunter, Josh Groban, Big Daddy Kane, Pharoahe Monch, Ana Egge, and is a member of the band Red Baraat, whom NPR calls “the best party band in years.” She has toured Canada, Europe, Pakistan and appeared at Rochester Jazz Festival, Saratoga Jazz Festival, Central Park Summerstage, California WorldFest and the Blue Note NYC, Radio City Music Hall, Lincoln Center, Merkin Concert Hall, Bowery Ballroom, Brooklyn Bowl, The Kennedy Center, Wolf Trap, Joe’s Pub, and Arden Concert Gild among other festivals and venues. 

Alison was a founding member of PitchBlak Brass Band, a ten-piece hip hop brass band that received critical acclaim from DownBeat Magazine, NPR, Live for Live Music, Brooklyn Vegan, The Wall Street Journal, and The Source Magazine. She performed with the band from 2010 – 2016. Alison formed her own quartet in 2016, united by the love of genre-bending melodic music. Alison’s debut album, View From Above, was released February 18, 2022.

Alison is passionate about arts education and has maintained a private teaching studio for 15 years. She recently joined the faculty of Jazz House Kids, where she leads a beginning Flute Class, a beginner Jazz Combo, and directs the junior Big Band.