Jason is a Grammy-winner described by NPR as “perhaps the most precise and soulful classical guitarist of his generation”. His multiple appearances for San Francisco Performances, Caramoor Festival, Ravinia Festival, PCMS, 92Y, etc., have cemented his reputation as one of the world’s leading guitarists. Overseas performance venues include Amsterdam’s Concertgebouw, Seoul Arts Center, Shanghai Concert Hall, Sala Sao Paolo, and Teatro Colon. Jason has performed as soloist with over 100 orchestras, including Cleveland, Toronto, Houston, Nashville, and Orchestra of St. Luke’s, working with conductors such as Giancarlo Guererro, Jahja Ling, Gerard Schwarz, and Michael Stern. 

Recent recordings include his long-awaited “Bach Volume 2: Works for Violin” on Azica Records, “Shining Night”, featuring his duo with violinist Anne Akiko Meyers, and Michael Fine’s “Concierto del Luna” for flute and guitar (with flutist Alexa Still) on Sony Classical. Jason also recorded Pat Metheny’s “Four Paths of Light”, a solo work dedicated to him by Pat, for Metheny’s 2021 album “Road To The Sun”. 

Jason has performed world premieres from composers Jeff Beal, Avner Dorman, Vivian Fung, Pierre Jalbert, Jonathan Leshnoff, David Ludwig, Mark Mancina, and Dan Visconti, among others. Of his Grammy-winning 2014 solo album “Play”, HuffPost declared that “Play” is “part of the revitalized interest in the classical guitar.” 

Jason’s regular collaborators include Escher String Quartet, Grammy-winning mezzo-soprano Sasha Cooke, Grammy-nominated harpist Yolanda Kondonassis, accordion/bandoneon virtuoso Julien Labro, and violinist Anne Akiko Meyers. He holds faculty positions at Curtis Institute of Music and Cleveland Institute of Music.

I am 26 years old and Navajo/Dine. I have been hoop dancing for 8 years and performed at the National Museum of the American Indian Smithsonian in Washington D.C and New York City. I have also performed for the tire company Big O Tires Corporation in Moab, UT. I have been on a TV commercial with a TV brand called Phillips TV. I have also been on a music video with Hip Hop artist “Taboo”,  a member of the Black Eyed Peas. I did a week performance in Dubai at the 2020 Dubai World Expo showcasing our World Class Hoop Dancing. The hoop dance has gotten so competitive that now there’s a Worlds Championship Hoop Dance Contest, held every year in downtown Phoenix. Tribes from all of North America come to this competition to compete for the world title of hoop dancing. I am the 2022 top 6 hoop dancer in the world. 

Hoop Dancing to me means that I am able to dance for those who can’t. The hoop dance is a healing and storytelling dance. I like to tell the story about the history of the Native American Race of what our ancestors went through. On the Navajo Nation in the late 1800s Navajos were forced to go to boarding schools “until we learned to live like the white men”. So they took away our long hair, our cultural dancing,  and told us not to speak Navajo.  So when I do hoop dance or speak Navajo, I dance for those who were told they couldn’t. 

I am Diné from the small town of Kayenta, AZ, the gateway to Monument Valley in the great Navajo Nation. Since I was 10 years old, I’ve been singing the Native powwow style of music. I sing what is known as the Northern style, which is more upbeat drumming with higher pitched vocals. Growing up, I sang with the northern drum groups of  Eagle Creek, Singing Eagle, and Star Eagle Nation–two of which are family drums. As I got older, I made the change to what is known as the Southern Style, which has a more mellow drum beat and lower vocals. Now, I am the founder and lead singer of Southern Soul Singers. I have also sung with southern drum groups including Buc Wild, Southern Style, and Southern Outlaws. Powwow singing is one of my most favorite things and I am always proud and honored to share my talent of which the creator has blessed me.

Martha is known for her music gumbo of folk, blues, and gospel from her childhood in coal country Harlan County, Kentucky, infused with the eclectic grit of pre-gentrified New York City. Inheriting the powerful vocal range of her gospel-singing African American father and the resilient spirit of her mother’s southeastern Cherokee/Choctaw culture and heritage, Marthabroadens the boundaries of American Roots music. With songs and storytelling that share her life experience as an Afro-Native American woman and mother navigating in the new millennium, Martha gives voice to issues of social justice, connecting cultures, and celebrating the human spirit. Her latest album “The Garden of Love-Songs of William Blake” is “a brilliant collision of cultures” (The New Yorker).

Martha’s works are under her own indie label shared with longtime collaborator/husband Aaron Whitby. Recent composer commissions include “A Mother’s Love” “Black Mountain Calling” and “Composers” for the upcoming Broadway revival of “For Colored Girls”, a choreopoem by the late Ntozake Shange. A 2020 Drama Desk Award and 2020 Audelco Award recipient for Outstanding Composer in a Play for “For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuff” (Public Theater), other works include “Bone Hill: The Concert”, a multidisciplinary theatrical concert touring nationally and “Black Mountain Women”, currently in development at The Public Theater in NYC. Martha is also a 2022 United States Artist Fellow. She is based in Brooklyn, NY, and lives with her husband, their son Zach and COVID puppy Maggie. martharedbone.com

Christopher  performs with ensembles including Ensemble Signal, The Cellar and Point, Alarm Will Sound, Talea Ensemble, International Contemporary Ensemble, The Theatre of Eternal Music String Ensemble, Ne(x)tworks, and The Knights. He has premiered and recorded several chamber works by John Zorn and has performed and recorded as soloist in Zorn’s violin concerto Contes de Fées. Christopher has also performed as soloist in Brian Ferneyhough’s Terrain with Ensemble Signal. His violin teachers include Cyrus Forough and Timothy Ying. He is a founder, along with his wife Emily DuFour, of Hutchins East, an ensemble performing on a set of eight proportionally-sized string instruments made by Carleen Hutchins, and has written and arranged several works for the ensemble. He studied composition at the Eastman School of Music with Robert Morris, David Liptak, Martin Bresnick, and James Willey as well as mathematics at the University of Rochester. Christopher has written works in just intonation for string quartet, violin duo, violin octet, violin with electronics, and ensembles of Hutchins instruments. His violin duo was recorded by Erik Carlson and is available on SoundCloud along with his violin octet. An article on his violin octet appears in Arcana VII, an anthology edited by John Zorn. Christopher serves on the faculty of the Mannes School of Music, where JACK is Quartet in Residence.

Jesse enjoys performing music from classical to contemporary, as well as composed and improvised music of his own. He has been a soloist with the Phoenix, Colorado, New Jersey and Green Bay Symphonies, the Denver Philharmonic, and the Teatro Argentino Orchestra (Buenos Aires). ​As a chamber musician, Jesse has performed throughout the U.S. and Canada, giving concerts at Lincoln Center’s Tully Hall, Carnegie Hall, the 92nd Street Y,  Metropolitan Museum, the Kennedy Center, Boston’s Gardener Museum, Ravinia Festival, and the Marlboro Music Festival. He has appeared at prestigious venues in Europe, such as the Barbican Centre, La Cité de la Musique (Paris), Amsterdam’s Royal Carré Theatre, Teatro Arcimboldi in Milan, and the Palais des Beaux Arts in Brussels. With pianist Rieko Aizawa, Jesse is co-founder of Horszowski Trio and Duo Prism, which earned 1st Prize at the Zinetti International Competition. They are co-artistic directors of the Alpenglow Chamber Music Festival in Colorado. In 2005 and 2010, Jesse earned GRAMMY nominations for his recordings of Arnold Schoenberg’s music, (NAXOS). He can also be heard on the Koch, Centaur, Tzadik, Max Jazz, and Verve labels. As a composer and arranger, Jesse has been commissioned by venues including Columbia University’s Miller Theater, the Chamber Music Northwest festival in Portland, OR, and the Bargemusic in NYC. Jesse graduated from The Juilliard School where he studied with Dorothy DeLay, Robert Mann, and Itzhak Perlman. He lives in New York City, and is on the faculty at Longy School of Music of Bard College and at Brooklyn College.