Praised for his “spectacular performances” (Wall Street Journal), and his “unfailing virtuosity” (Chicago Tribune), Ian is a GRAMMY®-nominated percussionist who has developed a musical breadth far beyond his years.

As a passionate advocate for contemporary music, Ian has premiered over one hundred new chamber and solo works. He has collaborated with and championed the music of established and emerging composers alike.

Ian was nominated for three GRAMMY® awards in 2021 for his performances on albums of music by Andy Akiho and Christopher Cerrone, including two nominations for Seven Pillars, an album by Sandbox Percussion released on Aki Rhythm Productions, a record label that Ian and Andy founded in 2021.

In 2012, he joined the Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two) as only the second percussionist they have selected in their history and has performed regularly with CMS since then.

Ian is a founding member of Sandbox Percussion, the Percussion Collective, and the Pittsburgh New Music Ensemble. He is on faculty at the Peabody Institute, Mannes School of Music and the University of Missouri-Kansas City. Ian endorses Pearl/Adams instruments, Vic Firth mallets, and Remo drumheads. iandavidrosenbaum.com  

Upcoming Performances:

Aug 29 – Next Week’s Trees

Sep 1 – Rocky Mountain Power Community Concert

Sep 3 – Kin

Conrad has appeared worldwide as a pianist and composer. He is acclaimed as a musician of “probing intellect and open-hearted vision” (The New York Times), a “thoughtful and mature composer” (NPR) and “ferociously talented” (TimeOut New York). In 2011, Conrad was named a Presidential Scholar in the Arts, a Gilmore Young Artist, and the National Foundation for Advancement in the Arts awarded him a YoungArts gold medal in music. He received the prestigious Avery Fisher Career Grant in 2012.

In 2018 Conrad made his Lincoln Center debut with a solo recital. He held a residency with the Utah Symphony, and had debut engagements with the Atlanta, New Jersey and Seattle Symphonies. Internationally, he has made appearances with Berner Symphoniker, Finnish Radio Symphony Orchestra, Orchestra Verdi Milano and with the Malaysian Philharmonic. 

Conrad’s career as composer has garnered an eight consecutive ASCAP Morton Gould Young Composer Awards and the Carlos Surinach Prize from BMI. His solo recitals and orchestral appearances often include his own compositions and he receives frequent commissions for orchestral, chamber and multimedia works. As the Dallas Symphony Orchestra’s artist-in-residence, he premiered his orchestral composition, The world is very different now, commissioned in observance of the 50th anniversary of the assassination of President John F. Kennedy. Most recently, the Chamber Orchestra of Philadelphia commissioned a new work for piano, orchestra, and electronics, An Adjustment

In 2013, Conrad curated and produced the inaugural UNPLAY Festival at the powerHouse Arena in Brooklyn. The festival explored the fleeting ephemera of the Internet, the possibility of a 21st-century canon, and music’s role in social activism and critique. 

Conrad is a Warner Classics recording artist. conradtao.com.

Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is described by NPR as “perhaps the most precise and soulful classical guitarist of his generation”. 

Jason recently made his debuts for Domaine-Forget Festival, Carmel Bach Festival, Wolf Trap, and made returns to San Francisco Performances, Caramoor, Ravinia, and Philadelphia Chamber Music Society.  Other recent venues include the National Gallery of Art, Amsterdam’s Concertgebouw, the 92Y, Seoul Arts Center, and Shanghai Concert Hall.  Jason Vieaux has performed as soloist with over 100 orchestras, including Cleveland, Toronto, Houston, Nashville, and Orchestra of St. Luke’s.

In March 2021, Jason Vieaux performs the premiere recording of a new solo work, “Four Points of Light” composed for Jason by jazz legend Pat Metheny for his new album Road To The Sun.  Jason performed the live recording of Jonathan Leshnoff’s Guitar Concerto with Nashville Symphony in 2019 (Naxos).  Jason’s passion for new music has also fostered recent premieres from Jeff Beal (House of Cards Symphony, BIS, 2017), Avner Dorman, Vivian Fung, Mark Mancina, Dan Visconti, and many more.  Slated for Summer 2021 release is a new solo Bach recording on Azica.  Of his Grammy-winning 2014 solo album Play, The Huffington Post declared that Play is “part of the revitalized interest in the classical guitar.”  

Vieaux’s multiple appearances over the years with Chamber Music Society of Lincoln Center, Music@Menlo, Strings Music Festival, Eastern Music Festival, etc., have forged his reputation as a top chamber musician.  Regular collaborators include the Escher String Quartet, Grammy-winning mezzo-soprano Sasha Cooke, violinist Anne Akiko Meyers, harpist Yolanda Kondonassis, and accordion/bandoneon virtuoso Julien Labro. 

As a teacher, Vieaux co-founded the guitar department at the Curtis Institute of Music in 2011, and has taught at the Cleveland Institute of Music for 25 years.  Jason’s online Guitar School has subscribers from over 30 countries.

Stefan is one of America’s foremost violinists hailed for playing of “uncommon musical substance” that is “striking for its intelligence and sensitivity” (Boston Globe). He has appeared as soloist with the Boston, Chicago, Cleveland, New York, Philadelphia, and San Francisco symphony orchestras, and such ensembles as the London, Seoul, Tokyo Philharmonics and the Philharmonia Orchestra. Festivals and concert series appearances include the Aspen Music Festival, Tanglewood Music Festival, Mostly Mozart Festival, the Celebrity Series of Boston, the Philharmonie de Paris, and Amsterdam’s Concertgebouw.   

An active chamber musician, Stefan is a member of the Junction Trio, together with pianist Conrad Tao and cellist Jay Campbell. His discography includes the complete Brahms violin sonatas on Sony, and a forthcoming recording of the complete Ives violin sonatas with his frequent collaborator, pianist Jeremy Denk. Jackiw also recently recorded the Beethoven Triple concerto with cellist Alisa Weilerstein, pianist Inon Barnatan, and the Academy of St. Martin in the Fields, conducted by Alan Gilbert on Decca. Stefan is a committed teacher and has recently joined the Faculty at the Mannes School of Music. He frequently gives masterclasses at prestigious conservatories and universities, such as the Colburn School, Harvard University, University of Michigan, Bard College, Manhattan School of Music, Vanderbilt University, Sydney Conservatorium, and the Australian National Academy of Music. In 2020, Jackiw started a free monthly online masterclass series, called Stefan’s Sessions, in which he leads an analysis of one of the masterpieces of the violin repertoire, addressing matters of interpretation, technical solutions, historical context, and performance preparation.

Andy is a “trailblazing” (Los Angeles Times) and “increasingly in-demand” (New York Times) Pulitzer Prize finalist and seven-time GRAMMY®-nominated composer whose bold works unravel intricate and unexpected patterns while surpassing preconceived boundaries of classical music. He is the only composer to be nominated for a GRAMMY® in the Best Contemporary Classical Composition category in 2022, 2023, and 2024.

Recent highlights include the world premieres of several major works, including Nisei — a sweeping concerto for cellist Jeffrey Zeigler — which headlined at the Sun Valley Music Festival, Sculptures, a groundbreaking, triple GRAMMY®-nominated work for Omaha Symphony honoring renowned visual artist Jun Kaneko, and BeLonging, a powerful new collaboration with Imani Winds, receiving two GRAMMY® nominations. Andy was also the Oregon Symphony’s 2024-25 composer-in-residence. 

Andy has been recognized via many prestigious awards including the Rome Prize, American Academy of Arts and Letters, Lili Boulanger Memorial Prize, Harvard University Fromm Commission, Barlow Endowment, New Music USA, and Chamber Music America. His compositions have been featured by Bang on a Can, American Composers Forum, The Intimacy of Creativity in Hong Kong, and the Heidelberg Festival. 

An active steel pannist, Andy has performed his works with Imani Winds, the LA Philharmonic’s Green Umbrella Series, the Berlin Philharmonic’s Scharoun Ensemble, the International Drum Festival in Taiwan, and more. His recordings No One To Know One, The War Below, Seven Pillars, Oculus, Sculptures, and BeLonging feature brilliantly crafted compositions inspired by his primary instrument, the steel pan. 

Andy is based in Portland, OR and New York City.

Upcoming Performances

Sep 1 – Rocky Mountain Power Community Concert

Sep 3 – Kin

Tanya, cellist and co-founder/Director of the Valley of the Moon Music Festival, is equally at home on historical and modern instruments. Passionate about chamber music, Tanya has been featured in recitals and at chamber music festivals across the United States, Canada, and Europe, and is a member of the Left Coast Chamber Ensemble. Tanya also recorded the complete Bach Cello Suites, performing them at venues including New York’s Le Poisson Rouge, Vancouver’s Early Music Society, Santa Fe’s Pro Musica, and the Library of Congress. For many years, Tanya was principal cellist and a frequent soloist for both San Francisco’s Philharmonia Baroque Orchestra and the Portland Baroque Orchestra. Tanya is now devoting more time to mentoring the next generation of musicians. The experiences of musical friendship and mentoring from her years in Holland studying with cellist, Anner Bijlsma are what inspired Tanya, together with VMMF co-Director Eric Zivian, to create the Apprenticeship, Laureate and Emerging Artists Programs at the Valley of the Moon Music Festival. Tanya has mentored young musicians in master classes at Yale, the San Francisco Conservatory of Music, and through her frequent appearances as a guest teacher at Juilliard’s Historical Performance Department. 

Upcoming Performances:

Aug 27 – Opening Night: Celebrating 33 Years of Moab Music Festival

Aug 29 – Next Week’s Trees

Aug 30 – Music Hike I: A Little Respite

Aug 30 – Lau Noah

Aug 31 – Music Hike II: Catharsis Canyon

Claire is an American pianist who continuously captivates audiences with her “radiant virtuosity, artistic sensitivity, keen interactive sense and subtle auditory dramaturgy” (Salzburger Nachrichten). With an irrepressible curiosity and penchant for unusual repertoire, she proves her versatility with a wide range of repertoire spanning from Bach and Scarlatti via German and Russian romanticism to Bernstein, Gulda and Corigliano.  

Claire’s international career began at age nine and she has won numerous competitions including first prize at the European Chopin competition and the US National Chopin competition (2009, 2010). Claire was the youngest participant to receive second prize at the International ARD Music Competition (2011) and was awarded the grand prize at the Geza Anda Competition (2018) and the Chambre Orchestre de Paris Play-Direct academy (2019). 

A sought-after soloist and recitalist, Claire has appeared in prestigious halls all over the world. Claire’s extensive discography of critically-acclaimed solo, chamber, and concerto recordings show her keen interest in a diverse pool of repertoire and span works by Bach, Mendelssohn, Tchaikovsky, Prokofiev, Scarlatti, Chopin, and Rachmanioff. This season, she will release an album of Mozart concerti with Howard Griffiths and the Mozarteum Orchestra Salzburg, to be released on Alpha Classics. Claire is a proud ambassador of Henle Verlag. clairehuangci.com 

Upcoming Performances:

Aug 26 – Piano Marathon: One Day, Three Concerts

Aug 27 – Floating Concert

Aug 31 – Grotto I: Bach in the Grotto

Announcing the Michael Barrett Endowment Fund
To honor Michael Barrett as Moab Music Festival co-founder and celebrate over 32 years of his visionary programmatic leadership, we are excited to announce the Michael Barrett Endowment Fund. We invite you to make a contribution today! By giving to this endowment, you’re helping to establish The Michael Barrett Young Artist Fellowship, which annually recognizes the entrepreneurial spirit of one of the young musicians performing at the Festival. CLICK HERE to give online. For more ways to give, visit our SUPPORT PAGE. 

About Michael: Michael has distinguished himself as a conductor with major orchestras here and abroad in the symphonic and operatic world. A protégé of Leonard Bernstein, he began his association with the renowned conductor and composer as a student in 1982, later serving as Maestro Bernstein’s assistant conductor from 1985–1990. Co-founder of both the New York Festival of Song (NYFOS) and the Moab Music Festival, Michael was previously Director of the Tisch Center for the Arts and the 92nd Street Y in New York, and Chief Executive and General Director of the Caramoor Center for Music and the Arts in Katonah, NY.

Michael holds artistic leadership positions at the Moab Music Festival and NYFOS, and worked on the Leonard Bernstein Centennial as a producer, conductor, and pianist. A champion of new music, Michael has conducted and played premieres by nearly 100 composers and considers new music to be the lifeblood of American musical culture. He oversees NYFOS Next a series in New York City which examines the latest in songwriting by established and young composers. Dedicated to music education, he oversees the innovative education programs of the Moab Music Festival. He is also active in the creation of new educational programs for symphony orchestras in collaboration with Jamie Bernstein. Their programs have been performed throughout the US, Asia, Cuba, and Europe. Born in Guam and raised in California, Michael attended the University of California, Berkeley and is a graduate of the San Francisco Conservatory of Music.

Cellist Clancy Newman, first prize winner of the prestigious Naumburg International Competition and recipient of an Avery Fisher Career Grant, has had the unusual career of a performer/composer. He received his first significant public recognition at the age of twelve, when he won a Gold Medal at the Dandenong Youth Festival in Australia, competing against people twice his age. Since then, he has performed as soloist throughout the United States, as well as in Europe, Asia, Canada, and Australia. He can often be heard on NPR’s “Performance Today” and has been featured on A&E and PBS. A sought after chamber musician, he is a member of the Clarosa piano quartet and a former member of Chamber Music Society Two of Lincoln Center and Musicians from Marlboro. As a composer, he has expanded cello technique in ways heretofore thought unimaginable, particularly in his “Pop-Unpopped” project, which been ongoing since 2014. He has also written numerous chamber works, and has been a featured composer on series by the Chamber Music Society of Lincoln Center and the Chicago Chamber Musicians. In March 2019, his piano quintet, commissioned by the Ryuji Ueno Foundation, was premiered at the opening ceremony of the National Cherry Blossom Festival in Washington DC. Mr. Newman is a graduate of the five-year exchange program between Juilliard and Columbia University, receiving a M.M. from Juilliard and a B.A. in English from Columbia.

Praised by the Seattle Times as “Simply marvelous” and Taiwan’s Liberty Times for
“astonishingly capturing the spirit of the music,” violinist Tien-Hsin Cindy Wu enjoys a
versatile career as a soloist, chamber musician, and educator throughout North America,
Europe and Asia. Cindy has collaborated in concerts with renowned artists such as Yefim
Bronfman, Lynn Harrell, Leila Josefowicz, Cho-Liang Lin, Midori, Thomas Quasthoff, Yuja
Wang, and members of the Alban Berg, Emerson, Guarneri, Miró, and Tokyo string quartets
at prominent venues such as the Kennedy Center, Library of Congress, Carnegie Hall,
Lincoln Center, and festivals such as Bridgehampton Chamber Music Festival, Great Lakes
Chamber Music Festival, La Jolla Summerfest, Marlboro Music Festival, and Santa Fe
Chamber Music Festival. She has also collaborated as a guest violist with the Dover, Orion,
and Shanghai quartets. Cindy is a recipient of many awards including the Milka Violin Artist
Prize from the Curtis Institute of Music, and third prize at the International Violin
Competition of David Oistrakh. She has taught at the Thornton School of Music of the

University of Southern California, and curated programs for the Da Camera Society in Los
Angeles as the Artistic Partner, and is currently the Music Director of New Asia Chamber
Music Society. Cindy plays on a 1918 Stefano Scarampella violin and a 2015 Stanley
Kiernoziak viola.