Sara is a Grammy-nominated artist recognized as one of today’s foremost jazz violinists through her lyricism and technical facility. Voted into the DownBeat Magazine Critics and Readers Polls every year since 2013, Sara has released three highly acclaimed solo albums, the most recent of which is The Way to You (2023, Anzic Records). She has performed and/or recorded with such artists as the WDR Big Band, Esperanza Spalding, Brad Mehldau, Brian Blade, John Patitucci, Regina Carter, Donny McCaslin, Henry Threadgill, Darcy James Argue, Linda May Han Oh, Dave Stryker, and Miho Hazama at venues including Carnegie Hall, the Village Vanguard, Birdland, Jazz at Lincoln Center, SFJazz, and the Blue Note (NYC and Tokyo). Currently on faculty at the Berklee College of Music, Manhattan School of Music, The New School, and New York University, Sara regularly appears as a guest artist and clinician at schools and festivals around the world.
Described as “sleek, new,” “hyper-fluent” and “a composer that rocks” by the New York Times, Pascal Le Boeuf is a GRAMMY-award-winning composer, jazz pianist, and electronic artist whose works range from modern improvised music to hybridizing notation-based chamber music with production-based technology.
Recent recordings and videos include collaborations with Akropolis Reed Quintet, Christian Euman, Tasha Warren, Dave Eggar, Alarm Will Sound, Barbora Kolarova & Arx Duo, JACK Quartet, Friction Quartet, Hub New Music, Todd Reynolds, Sara Caswell, Jessica Meyer, Nick Photinos, Ian Chang, Dayna Stephens, Allan Harris, Linda May Han Oh, Justin Brown, and Le Boeuf Brothers.
Pascal’s recent awards include a 2025 Grammy for “Best Instrumental Composition,” a 2023 Guggenheim Fellowship, and a 2020 Copland House Residency Award. Pascal is an Assistant Professor of the Practice of Music and Technology at Vanderbilt University, and a Harold W. Dodds Honorific Fellow and Ph.D. candidate in Music Composition at Princeton University.
Amy is an award-winning soprano known for her “high-flying vocals” and “scene-stealing” charisma on operatic and symphonic stages, as well as her multi-disciplinary pursuits as a music educator, producer, and conductor (Opera News). She is known on concert stages for her interpretation of Carmina Burana, including multiple performances with the National Symphony at the Kennedy Center and Wolf Trap, as well as with MidAmerica productions for her Carnegie Hall debut. Career highlights include performances with the Santa Fe Opera, Wolf Trap Opera, Dallas Opera, Houston Grand Opera, Utah Opera, Virginia Opera, National Symphony, San Diego Symphony, New York Festival of Song, Brooklyn Art Song Society, and Virginia Arts Festival. Her operatic and musical theater roles include Cunegonde in Candide, Johanna in Sweeney Todd, Chrisann Brennan in The Revolution of Steve Jobs, Mabel in The Pirates of Penzance, Emily in Our Town, and Phoebe in Gentleman’s Guide to Love and Murder. She is frequently sought after for contemporary works, including Santa Fe Opera’s world premiere of Sweet Potato Kicks the Sun, where she created the title role, and the workshop of Eurydice with the Metropolitan Opera. In addition to performing, she serves as the director of the Young Voices of Santa Fe Opera.
Upcoming Performances:
Dec 6 – Holiday Concert
Dec 7 – Family Holiday Concert
Zak is an award-winning author and journalist who has spent more than a decade writing about water and conservation issues in the western United States. He is the author of two books published by Torrey House Press, Confluence: Navigating the Personal & Political on Rivers of the New West (2019) and Life After Dead Pool: Lake Powell’s Last Days and the Rebirth of the Colorado River (2024). Zak is the recipient of the Ellen Meloy Desert Writers award and was the Entrada Institute’s writer-in-residence in 2023. Most recently, Zak was the southern Utah reporter for The Salt Lake Tribune. He lives in Bluff, Utah.
Upcoming Performances:
Aug 31 – Red Cliffs I: Colorado Currents
Andrew has performed recitals at Carnegie Hall, the New York Festival of Song (NYFOS), the Ravinia festival, The Cleveland Art Song Festival, Camerata Pacifica, Andre-Turp Society Montreal, Voce at Pace, Cincinnati Song Initiative, Tuesday Morning Music Club, The Phillips Collection, Vocal Arts DC, college campuses around North America, and venues in Italy, Croatia, Greece, and Turkey.
Last season he released his tenth Album: El Rebelde: Gabriela Frank and Dmitri Shostakovich. Andrew has premiered works by Jake Heggie, William Bolcom, Stephen Paulus, Steven Mark Kohn, Lee Hoiby, Tom Cipullo, Thomas Pasatieri, and Gabriela Frank.
He has performed in concert with the Boston POPS, Atlanta Symphony, Boston Baroque, Handel and Haydn, Washington Master Chorale at the Kennedy Center, and National Chorale at Lincoln Center and leading opera roles at Seattle Opera, New York City Opera, Opera Philadelphia, Cincinnati Opera, Minnesota Opera, and many others.
Andrew is a mentor with Bel Canto Boot Camp, a coach with tonebase, and is on the faculty at CU Boulder. He bicycles year-round and for the past 31 years has ridden the Pan Mass Challenge. This is Andrew’s fourth appearance at the Moab Music Festival.
Upcoming Performances:
Sep 2 – Rocky Mountain Power Community Concert
Sep 4 – House Benefit Concert: Bernstein, An Intimate Portrait
Sep 5 – Red Earth: Mid-Century Modern America
Yoshiko, a conceptual artist/choreographer/Artistic Director of The School of Hard Knocks, has been a firebrand of New York’s downtown dance scene since arriving in 1978. She has created more than sixty-five full-length company works, commissions, and site-specific events for venues in thirty-five countries, constantly challenging the notion of performance for both audience and participant. Her work has been presented in such diverse venues as Joyce Theater, the Eiffel Tower, Newcastle Swing Bridge, City Center, Lincoln Center, the former National Theater of Sarajevo, the perimeter of the Hong Kong harbor, World Financial Center, and an ancient ruin in Macedonia, among many others. Yoshiko has received fellowships and awards for choreography and career work from the Guggenheim, National Endowment for the Arts, New York Foundation for Artists, Japan Foundation, Meet the Composer Choreographer/Composer Commission, and Philip Morris New Works. She has led workshops and masterclasses and been commissioned to create new work in East and West Europe, Asia, Russia, and the U.S. She received her first BESSIE award for choreography in 1984, and earned four more for her productions in 1992 and 1998. In 2007 she received a BESSIE for Sustained Achievement. She was Artistic Director of the Daghdha Dance Company in Limerick, Ireland, from 2000 to 2003 and has been a guest teacher/choreographer in the M.A. program in dance of the Irish World Academy of Music and Dance.
Upcoming Performances:
Sep 7 – Robert Black: A Joyful Musical Life from the Bass Line
Mark is a multi-instrumentalist, singer, song leader, composer and instrument designer heard around the world performing old and new music. Since 1998 he has recorded and toured as guitarist and Musical Director with Paul Simon. A founding member of the Bang on a Can All-Stars & the Polygraph Lounge with keyboard & theremin wizard Rob Schwimmer, Mark has also worked with Steve Reich, Sting, Anthony Braxton, Bob Dylan, Wynton Marsalis, Meredith Monk, David Krakauer & Klezmer Madness, Stevie Wonder, Phillip Glass, Iva Bittova, Geoffrey Holder, Bruce Springsteen, Terry Riley, Ornette Coleman, Don Byron, Joan Baez, Hugh Masakela, Paul McCartney, Cecil Taylor, Ani DiFranco, Bill Frisell, Jimmy Cliff, the Everly Brothers, Steve Gadd, Fred Frith, Alison Krauss, Bobby McFerrin, David Byrne, James Taylor, The Roches, Aaron Neville, Bette Midler, and Marc Ribot. He is the inventor of the WhirlyCopter, a bicycle-powered Pythagorean choir of singing tubes and the Big Boing, a 24 ft. sonic banquet table Mbira that seats 30 children playing 490 found objects, and is a Visiting Lecturer in musical instrument design at MIT. Mark is also a curator at MASS MoCA of the immersive Gunnar Schonbeck exhibit of musical instruments and co-founder, with his partner in sound and life Karen Curlee, of soundstewArt inc. a company that designs immersive sound environments & community music making experiences for all.
Upcoming Performances:
Sep 7 – Robert Black: A Joyful Musical Life from the Bass Line
Sep 8 – Sips & Sounds
Ariadne, praised for her “luminous, expressive voice,” “searing top notes,” and “dusky depths,” (NYTimes), enjoyed a casual child career as a “boy” soprano at the LA Opera, eventually making an adult debut singing Lutoslawski’s Chantefleurs et Chantefables with the American Symphony Orchestra. She starred in operas ranging from Donizetti’s Elixir of Love with The Orlando Philharmonic, to Poulenc’s Les Mamelles de Tirésias at the Aldeburgh Festival, and Atthis, by G.F. Haas, which the NY Times called “one of the most searingly painful and revealing operatic performances in recent times.”
Recent projects included performances with William Kentridge in the Oslo Opera House, The Luxembourg Philharmonic, Berkeley Cal Performances, and Performa in New York of the Dada masterpiece Ursonate, collaborations with The Knights, two projects of her own called Bird Party and Eleven Wild Geese commissioned by The Ultima Festival in Norway, a film of Table Manners, by Sheree Clement, and a film of We Need To Talk, a new monodrama by Caroline Shaw and Anne Carson for Opera Philadelphia. Highlights this season include Alyssa Weinberg’s monodrama Isola with Long Beach Opera, Miss Adelaide in Guys and Dolls with Opera Saratoga, Ten Transcendental Etudes, by Nick Brooke, at Mass MoCA, and The Fall of Rome with AMOC. Ariadne has premiered upwards of twenty new operas and more than a hundred new chamber works.
Upcoming Performances:
Aug 31 – Red Cliffs I: Colorado Currents
Sep 1 – Music Hike II: Just Breath(e)
Sep 2 – Rocky Mountain Power Community Concert
Praised for his versatility and soulful expressive style, Serafim actively performs on both modern and baroque cellos. He has toured four continents as a soloist and chamber musician, appearing with Jupiter Chamber Players, Trinity Baroque, EXO, Sebastians, El Mundo, Frisson and Argento among others. He has performed as principal cellist with the Juilliard Orchestra, Pegasus, Experiential Orchestra and the Kansas City Philharmonic. Between 2014 and 2021, while a member of the Tesla Quartet, he appeared on some of the world’s most prestigious stages, including Wigmore Hall, the Esterhazy Palace and the Mecklenburg-Vorprommern Festival, during which the Quartet released two award-winning albums.
A passionate advocate of new music, Serafim has given numerous world premiere performances guided by composers such as Arvo Pärt, Chaya Czernowin, Georg Friedrich Haas, Mathias Pintscher, Magnus Lindberg, and many others. His love of early music and fascination with historical performance practice led him to study baroque cello with Phoebe Carrai at the Juilliard Historical Performance Department and to perform alongside Robert Mealy, Monica Huggett, William Christie, Nicholas McGegan.
Serafim also composes electronic music as Faremis Sound and produces audiobooks with his wife, Sierra Prasada, as HiSierrafim Audio.
Upcoming Performances:
Aug 28 – A Movable, Musical Feast
Aug 31 – Red Cliffs I: Colorado Currents
Sep 1 – Red Cliffs II: BAILEN
Sep 5 – Red Earth: Mid-Century Modern America
Sep 7 – Music Hike III: Unusual Quartets–Sacred and Profrane
Nathan is a bassist, singer, teacher, composer, and artistic producer living in Los Angeles.
A graduate of the Curtis institute of Music, Nathan studied with Edgar Meyer and Hal Robinson. He has played in the bass sections of many of the world’s finest orchestras: Philadelphia, New York, Chicago, Los Angeles, San Francisco, Cincinnati, and Baltimore, and has also developed a unique solo voice on an instrument that doesn’t often stand alone.
Nathan has written and performed music for TV and film, most recently scoring a documentary that was executive produced by Martin Scorsese. He’s developed creative productions for the Louisville Orchestra, the LA Philharmonic, and the University of Southern California that combine music, actors, dancers and film.
Nathan also loves to sing. He made his operatic debut as tenor soloist in the Beethoven Choral Fantasy at the Marlboro Music Festival, and regularly appears with his trusty guitar in chamber music festivals across the country.
Upcoming Performances:
Sep 7 – Music Hike III: Unusual Quartets–Sacred and Profane
Sep 10 – Ranch Benefit Concert: Stradgrass
